By Irene J. F. de Jong
Complete commentaries at the Homeric texts abound, yet this remark concentrates on one significant element of the Odyssey--its narrative artwork. The function of narrator and narratees, tools of characterization and surroundings description, and the improvement of the plot are mentioned. The examine goals to augment our knowing of this masterpiece of eu literature. All Greek references are translated and technical phrases are defined in a thesaurus. it really is directed at scholars and students of Greek literature and comparative literature.
Read or Download A Narratological Commentary on the Odyssey PDF
Best ancient & medieval literature books
This anthology of Sumerian literature constitutes the main accomplished assortment ever released, and comprises examples of lots of the types of composition written within the language, from narrative myths and lyrical hymns to proverbs and love poetry. The translations have benefited either from the paintings of many students and from our ever-increasing realizing of Sumerian.
The literature of the western international starts with one in every of its maximum achievements. The tales of the wrath of Achilles and its effects, and of the wanderings of Odysseus, were well-known from precedent days to the current day. the 2 nice epics could be learn and loved, unreflectingly, as stories of experience; or they are often studied as literature, yielding, as perception and knowing develop, a deeper and extra everlasting excitement.
Topical issues in Argumentation Theorybrings jointly twenty exploratory reports on very important matters of analysis in modern argumentation idea. The essays are in line with papers that have been offered on the seventh convention of the foreign Society for the examine of Argumentation (ISSA) in Amsterdam in June 2010.
Tacitus' Annals of Imperial Rome recount the main historic occasions from the years presently prior to the loss of life of Augustus as much as the loss of life of Nero in advert sixty eight. With readability and shiny depth he describes the reign of terror below the corrupt Tiberius, the nice hearth of Rome in the course of the time of Nero, and the wars, poisonings, scandals, conspiracies and murders that have been a part of imperial lifestyles.
Extra resources for A Narratological Commentary on the Odyssey
44–8). She does not dress like a female, but puts on the same ‘magic’ sandals as Hermes (cf. 44–6) and, just as Hermes takes along his magic wand, she takes with her her spear. This is her attribute when she arms herself in martial contexts (cf. Il. 389–91). In the present, peaceful context it suits the male character she will be impersonating; cf. the explicit mention in 104, 121, and 127–9. The ominous overtones of the description of the spear also alert the narratees to the fact that her rousing of Telemachus is the ﬁrst step on the road towards Odysseus’ revenge, which will take the form of a battle; cf.
184–7; Il. 374–5. 217–20 For the combination of hope and resignation, cf. 158–68n. By the end of the Odyssey the narratees know that, in fact, Telemachus is the son of a blessed man, who will grow old among his possessions (cf. 134–7) and is not the most unfortunate of all mortals (cf. Introduction). 224–9 Exploiting her assumed status as an ignorant outsider, Athena asks Telemachus what feast is going on in the palace. As a goddess, she already knows the answer (cf. 91–2), but her purpose is to make the boy go on talking about the Suitors; for the technique of suggestive questions, cf.
59 For Odysseus becoming so despondent as to wish to die, cf. 49–52 and 496–9. 59–62 Athena’s three ﬁnal questions31 are an indirect reproach: Zeus is not behaving justly towards pious Odysseus. At the same time, her questions are a rhetorical trick: of course, she knows that it is Poseidon, not Zeus, who is responsible for Odysseus’ plight. 95–8. 28 30 31 32 29 Scholion ad 47. Rank (1951: 51–2). Austin (1975: 138–9), Apthorp (1980: 12–13), Rutherford (1986: 146, n. 6), and Crane (1988: 42–4). In view of the similar structure of the three cola, it seems better to read a question mark after ‘OlÊmpie in 60 (with Von der Mühll and Van Thiel) instead of a full stop (Allen).